Making an Appeal: The critical crime and culture takes of Aja Romano

This post is a little different from my usual “Making an Appeal” posts. Instead of pointing to a publication venue or organization that is circulating fresh and critical takes on crime and crime media, I want to single out a particular culture writer who is logging cultural criticism that is well-researched and attuned to the … Continue reading Making an Appeal: The critical crime and culture takes of Aja Romano

The ‘gateway body’ and crime narratives: trafficking in white feminism

When reading Tanya Horeck’s Justice on Demand earlier this year, a reference to something called “the gateway body” caught my interest. Horeck’s book, which I reviewed here, is a media-studies look at true crime in the current post-tv, serialized and digitally-networked era. One chapter in that book focuses on the way popular true crime series, … Continue reading The ‘gateway body’ and crime narratives: trafficking in white feminism

Checking out Crimereads as a one-stop-shop for popular crime books and media news

Have you been following the writing and curating from Crimereads.com? [Note: this is part of the post category I’m dubbing “Making an Appeal” (get it?!), which is to highlight the projects (sites, podcasts, other goings on) I come across that are relevant to this blog’s topic (true/crime/etc.) and seem worth checking out.] What I think … Continue reading Checking out Crimereads as a one-stop-shop for popular crime books and media news

The Valhalla Murders, My Favorite Murder Podcast, and Paranoid/Reparative Engagement with True Crime and Crime Fiction

I recently watched the Icelandic police procedural series, The Valhalla Murders (2019, 2020). It is loosely based on a national scandal from the 1940s about a state institution for troubled boys who, after being put in state care, suffered abuse at the hands of staff, according to this MEAWW article. The Nordic Noir series re-imagines … Continue reading The Valhalla Murders, My Favorite Murder Podcast, and Paranoid/Reparative Engagement with True Crime and Crime Fiction